Wednesday, July 31, 2024

 

Slovakia

by Katherine Flannery Dering


When we met, I was her son’s soon-to-be-
second wife. She was an imposing woman
—tall and broad in her suit and stacked heels
—not someone to tolerate nonsense.

She looked at me askance, her confusion about
how to relate to this proposed replacement
daughter-in-law, written on her loose cheeks.
No one she knew had ever divorced and remarried.

Now, 30 years later, she’s been having bad headaches,
possibly small strokes. She’s lost weight.
Her hair, once golden-brown, stiff with hairspray,
is mussed and gray. It’s midafternoon

and she’s lying in bed, fully dressed, crying.
She won’t get up, keeps repeating something
—I think in Slovak, though she’s been in the U.S.
since she was eight. She’s crying again.

I take off my shoes and lie down next to her,
and try to soothe her. “Hey, Mary,” I say
as softly as I can muster, smoothing
the sheets, brushing hair from her eyes.

“It’ll be OK. Is it a headache? How can I help?
Can I bring you something?” Her body
visibly relaxes, and she begins to smile.
“I had a pony,” she whispers. “He was white,

and I brushed him every day.” A tear runs down
her cheek. “Can you bring him to me?”
“We’ll see,” I say, the will-see of a practiced mother.
“Let’s just rest here for a few minutes, OK?”

I hold her hand, my head inches from hers
on the pillow. Her face softens. I can see
her eyes moving behind their lids. Her pony
gallops around us in a field of Alpine wildflowers.


* * * * *

Katherine Flannery Dering writes poetry and prose and lives in New York State. She has published a mixed-genre memoir, Shot in the Head, a Sister’s Memoir a Brother’s Struggle (Bridgeross). Her poetry chapbook, Aftermath, was published by Finishing Line Press. She holds an MFA from Manhattanville University.
 
Her website is 
www.katherineflannerydering.com, and she is on Facebook as Katherine Flannery Dering, author. 


Tuesday, July 30, 2024

10:23 AM, Friday, April 5, 2024, a New York suburb:

by Katherine Flannery Dering


The earth is rumbling. Loud! Has the furnace
exploded? A sheet rock nail pops off the wall
and lands on the end table.

My dog Patsy is standing in the middle of the room.
I don’t think she notices the trembling, though—
she is seventeen years old and completely deaf.

But she can tell something is wrong so
she is looking at me, the center of her universe.
What trust she places in me!
Where can I turn with trust like that?

Many years ago, while traveling alone
through Germany, my purse was stolen.
I spoke no German. In the next few days,
I reached out to anyone who might help me.

Stumbling through French with police.
Crying in the American Express office.
Finding refuge with an old family friend in Geneva.

The shaking stops. Little fingers of my easing mood
spread across to her and tousle her matted fur.
“Don’t worry, Patsy, it’s over now,” I tell her.
She wags her tail.


* * * * *

Katherine Flannery Dering writes poetry and prose and lives in New York State. She has published a mixed-genre memoir, Shot in the Head, a Sister’s Memoir a Brother’s Struggle (Bridgeross). Her poetry chapbook, Aftermath, was published by Finishing Line Press. She holds an MFA from Manhattanville University.
 
Her website is www.katherineflannerydering.com, and she is on Facebook as Katherine Flannery Dering, author. 

Monday, July 29, 2024

 

Breaking Out

by Louella Lester


She is no victim, these gusts of wind won’t jostle her off course, they are her own creation, born of her own sturdy legs pumping back and forth on the swing until her muscles burn like matches lit. Until the smoke whips away all the fake syrupy sweetness. Until her skirt and hair flies in tangles behind her erasing blushes and anything considered to be demure. Until her ears muffle anything she does not want to remember, so remain open only to the wind’s most encouraging songs. 


* * * * *

Louella Lester is a writer/photographer in Winnipeg, Canada, author of Glass Bricks (At Bay Press), a contributing editor at New Flash Fiction Review, and has a story included in Best Microfiction 2024. Her writing appears in a variety of journals/anthologies, including most recently: Roi Faineant, 50-Word Story, the Dribble Drabble Review, MacQueen’s Quinterly, Gooseberry Pie, Paragraph Planet, Hooghly Review, Bright Flash, Cult. Magazine, and SoFloPoJo.

Sunday, July 28, 2024

 

Water Tempted 

by Louella Lester


She knew the lake had much deeper feelings, so she tried her best not to take advantage. But when summer heat sweat-bubbled her skin she just couldn’t help herself. She’d slow-slip into the lake. Hold her breath. Dive deep. Wait until it whispered a sigh and settled like glass above her. Wait until the need for air sent her up to shatter its surface, sent her swimming to shore, leaving the now broken water behind. She’d collapse on the dry sand while the lake tried to reach her. Sent waves rolling in. Over and over and over again.


* * * * *

Louella Lester is a writer/photographer in Winnipeg, Canada, author of Glass Bricks (At Bay Press), a contributing editor at New Flash Fiction Review, and has a story included in Best Microfiction 2024. Her writing appears in a variety of journals/anthologies, including most recently: Roi Faineant, 50-Word Story, the Dribble Drabble Review, MacQueen’s Quinterly, Gooseberry Pie, Paragraph Planet, Hooghly Review, Bright Flash, Cult. Magazine, and SoFloPoJo.

Saturday, July 27, 2024

Forward Motion

by Renee Cronley
 
 
they took steps to retire archaic narratives 
reducing their existence to personal property
demure dames donning gloves and holding fans
corsets and legislative chastity belts worn tight
by fashion, by design—but ill-suited for combat 
 
with stakes higher than the battle of the ballot
ladies lacing leather boots marched as matriarchs   
demanding democratic birthright
violating social norms with reforms
 
governments exploited feminine status
keeping demonstrations submissive and silent 
debating suffrage bills but never passing them
threading the needle to cease ‘ladylike’ tactics 
then stitching them as irrational and illogical
 
inhumanly imprisoned and grisly forced-fed
denied designation as political prisoners 
cruelly satirized and shamed by the press
to weaken resolve with psychological duress
 
they trudged through hassles and heckles
iron-willed but soaked to their socks 
in a downpour of institutional misogyny
arousing passionate dialogue with activism
breaking barriers and fighting for freedom


* * * * *

Renee Cronley is a writer from Manitoba. She studied psychology and English at Brandon University and nursing at Assiniboine Community College. Having stepped away from nursing to prioritize her children, she has been channeling her knowledge and experiences into a poetry book about nursing burnout. Her work appears in Chestnut ReviewOff TopicLove Letters to PoeWeird Little WorldsBlack Spot Books, and several other anthologies and literary magazines.  
Renee can be found at https://www.reneecronley.com/ 


Friday, July 26, 2024

 

Dear expectations

by Stuti Jain


You became a drug
The monster under the floorboards.
The friend i would crawl through
Windows to meet.


Thursday, July 25, 2024

 

Barriers

by Stuti Jain


We are all 
From the same world
But sometimes I think I'm on an iceberg
Watching everyone else float away
I am only visible when it suits them.


I am not truly in any world
I live in the rim of the doorframe
Light bursting from outside,
Holding hands with the darkness
I am somewhere between everything and nothing
Because the door won’t open.


Wednesday, July 24, 2024

When Nature Comes Knocking

by Brittany Studer


There’s a knock at my door in the pouring rain
My petals open to the tongue of a bee
Birds sing in my head the same tune I’ve known
Since my first time ocean waves rushed in

I open the door and you’re standing there soaked
Beneath the earth beats the tingle of life
You rush into my roots like food from the sun
And I can’t help but bend to your light


* * * * *

Brittany Studer was born and raised in the Pacific Northwest and many of her poems are steeped in imagery using elements found in nature. She started writing poetry in 2003 and finds the creative process deeply therapeutic. Brittany lives in Oregon with her husband and two young boys.


Tuesday, July 23, 2024

The Return of Her

by Brittany Studer


She lay dormant an entire year
The baby’s cries,
The baby’s needs.

Then, the river flowed again,
Calling her to wake.

She did not want to wake at first,
To shed her mother-skin.

But beneath there lay
A woman, almost forgotten.

She lay dormant an entire year

Until…

Her cries,
Her needs,
Burst forth in ecstatic thrill.


* * * * *

Brittany Studer was born and raised in the Pacific Northwest and many of her poems are steeped in imagery using elements found in nature. She started writing poetry in 2003 and finds the creative process deeply therapeutic. Brittany lives in Oregon with her husband and two young boys.

Monday, July 22, 2024

 

This month an additional Moon Prize, the 140th, goes to Huina Zheng's compelling story "Home Renovation."

 

Home Renovation

by
Huina Zheng


Setting out towards our old house with Sheng and Jun today, I think about a proposal from six months ago. Jun suggested renovating the two-story red brick building with a courtyard to make it more comfortable for us and to better accommodate Sheng, who has mobility issues. Honestly, I am not opposed to the idea of living together again, especially since I was the one who forgave Sheng for leaving us when Jun was just a child.

The old house, I note, is completely transformed—the courtyard now boasts artificial hills, flowing water, and a pond stocked with koi; the ground floor is primarily occupied by Sheng’s bedroom and shared spaces, while the upper floor contains bedrooms for Jun and me.

Jun, Sheng, and the designer thoroughly discussed the details of the renovation, and Jun hinted that they had prepared a surprise for me. I think maybe they have finally come to appreciate the sacrifices I’ve made and the effort I’ve put in. After Sheng left us for another woman, I raised Jun on my own. Two years ago, the hospital called Jun and told him his father had become paralyzed from the waist down and needed care. That woman disappeared. Jun, overwhelmed with his job, placed his father in a nursing home. However, due to Sheng’s frequent outbursts, Jun was forced to bring him back to our old home. After cycling through four nurses in just two months due to Sheng’s difficult behavior, I couldn’t stand by and watch my son struggle with the stress of caring for his father. So, I took over, sacrificing my freedom and my passion for dance to provide full-time care. I hope they’ve set aside a large room for me with one mirrored wall, spacious enough for dancing. I’ve even packed a dance outfit and shoes in my handbag, ready to revive my long-missed dance routines as soon as I can. It would truly be a wonderful surprise. It is, after all, my lifelong passion—I used to dance for hours a day—though I don’t remember the last time I did it.

I vow to myself: If they have transformed a room into a dance studio for me, I will stay and care for Sheng indefinitely. Even if Sheng scolds and curses every day, I will never leave him. I will remind myself that Jun hopes we could live together as a family. I will endure his tantrums, like when he throws his plate on the floor if he dislikes the food, his biting sarcastic remarks, and his domineering commands. Next year, Jun will marry his girlfriend Lan; we will live together. I will help take care of our future grandchildren, and I’ll make pumpkin cakes with them, letting them stand on stools to mash the steamed pumpkin, and after frying, Sheng will sprinkle sesame seeds on the pumpkin cakes. We will not remarry, but I will continue to care for him until the end.

We walk into the old house. The dining room is spacious, furnished with a solid black-glazed wooden table, adjacent to Sheng’s personal suite, which includes a lounge area and a card and chess entertainment space. The bathroom is designed with a lowered washbasin to accommodate Sheng’s needs. At the foot of the stairs leading to the second floor, there was a Chinese-style villa crafted for the cat. On the second floor, Jun and Lan’s room features a modern, double-height design; the lower level is a lounge area, and a few steps up leads to a spacious, separate office area. Then, I am led to my room—a simple, small space with just a bed and essential furniture. Jun points to a dance poster hanging above the bed, telling me this is the surprise they’ve prepared for me. They’ve also prepared an even bigger “surprise”—a washing and drying machine set up in the room, for my convenience in continuing the laundry.

I open my handbag, take out the dance outfit and shoes I’ve prepared, and gaze at them. Then, I realize I don’t have to keep my vow, feeling an unprecedented sense of relief.


* * * * *

Huina Zheng, a Distinction M.A. in English Studies holder, works as a college essay coach. She’s also an editor at Bewildering Stories. Her stories have been published in Baltimore Review, Variant Literature, Midway Journal, and others. Her work has received nominations twice for both the Pushcart Prize and Best of the Net. She resides in Guangzhou, China with her husband and daughter.

Sunday, July 21, 2024

 

On this month's full moon, the 139th Moon Prize goes to Alexis Rhone Fancher's stunning poem "Don't Try."


Don’t Try

by Alexis Rhone Fancher


Since my son died of cancer in 2007
I find funerals hard to attend.
Unless it’s family, I make an excuse,
although there is none, really.
I especially regret not attending Paul’s funeral in 2016,
and Molly’s last year after her long decline,
but the post-burial depression holds me captive.
After an insomniac night or two,
the kind part of me gives the selfish one a pass.
When I see Molly’s widower,
I pretend he doesn’t know I wasn’t there.
There were close to 300 mourners.
If he asks, one day, apropos of nothing,
I’ll most likely tell him I couldn’t get out of bed.
Yesterday, I drove all over Green Hills Memorial Park,
where Bukowski is buried.
Don’t Try is written on his gravestone, above a silhouette
of a pugilist, bookended by birth and death dates.
We inhabit the same zip code.
Days before Paul died, he called me, manic, rambled for an hour.
Big plans, he said. I’m moving back to Paris in the fall.
When he showed up at my party, weeks before,
people thought he was homeless, walked in off the street.
Paul played us Russian love songs on his guitar.
Here are the photos. He looks bloated. Lost.
Two weeks later he was dead.
I’ve considered Paul’s solution,
but the end is coming swiftly enough.
Tonight the dude across the street is blasting bad ‘80s rock.
It’s mid-July, and the sun stays long in the sky.

For Gerald Locklin


* * * * *

"Don't Try" was first published in Chiron Review.

Alexis Rhone Fancher is published in Best American Poetry, Rattle, Hobart, Verse Daily, Plume, Tinderbox, Cleaver, Diode, The American Journal of Poetry, Spillway, Nashville Review, Poetry East, Gargoyle, and elsewhere. She’s authored ten poetry collections, most recently, Triggered, 2023 (MacQueen’s Publishing); Brazen, 2023 (NYQ Books); and Duets, (2022) an illustrated, ekphrastic chapbook collaboration with poet Cynthia Atkins, published by Harbor Editions. Alexis’s photographs are featured worldwide including the covers of The Pedestal Magazine, Witness, Heyday, Pithead Chapel, and The Mas Tequila Review. A multiple Pushcart Prize and Best of the Net nominee, you can find her at: www.alexisrhonefancher.com

Saturday, July 20, 2024

Clowning Around

by Amy Soricelli


My father didn’t think we were funny children. 
We weren't balloons across the ceiling or
painted horses.
The one circus he took us to was really
 a street fair he found on a train.
The Bronx men at the gate wore mustard-stained 
pants and smoked cigarettes to the bottom.

When the man in the striped vest and straw hat 
pointed water guns at the wooden board, 
my father said "here, like this" and I hoped 
for the doll with the red hair.
The spray went everywhere so the man
handed me an ashtray with a Hawaiian 
dancer painted in the middle.

After the ice cream lines of children in 
action-hero tees, we rode around in a 
little train against the fence.
The man driving the train wore clown shoes
and a red nose.  
The rest of him was regular.
The old lady from the across-the-street-apartment
building, laughed at us each time we went around
but there was nothing funny there.


* * * * *

Amy Soricelli has been published in numerous publications and anthologies including Remington Review, The Westchester Review, Deadbeats, Long Island Quarterly, Literati Magazine, The Muddy River Poetry Review, Pure Slush, Cider Press Review, Glimpse Poetry Magazine, and many others. That Plane is not a Star, 4/2024, Dancing Girl Press; Carmen has No Umbrella but Went for Cigarettes Anyway, Dancing Girl Press 9/2021; Sail Me Away, Dancing Girl Press, 10/2019. Nominations: Pushcart Prize, 2021, Best of the Net 2020, 2013. Nominated by Billy Collins for Aspen Words Emerging Writer's Fellowship/2019, Grace C. Croff Poetry Award, Herbert H Lehman College, 1975





Friday, July 19, 2024

 

Lillian in the City

by Amy Soricelli
 
 
My mother ate alone but not in small French cafes
with happy waiters, just in a side-street diner 
on Madison and 35th, before the bus came.
 
She would hold her menu far enough to see
over the smaller families pushing in chairs, and
arranging their coats on empty seats beside them.
She watched them pick and carry their small chatter,
 
pointing to cardboard slips of paper and napkin holders.
All the children with their feet up beside them, curled under
like tube snakes.  
 
The waiter would take her order, small 
coffee black, and a round pastry, but not covered in nuts 
or cream; can I just have something very plain,
maybe with nothing at all. What can you show me? 
 
An attractive, elderly couple shuffle their umbrellas and 
New York Times onto the floor so they can sit too
close to her table, my mother thinks, as the street
 
carries its sounds through the front door and settles,
a sleepy cat by her feet.  She hears them talk about 
the gallery they just visited, him not liking anything at all,
finding the art rough and distracting.  His wife looks away 
 
and picks lint off her sleeve. She smiles at my mother
as the waiter places a small croissant before her. 
Yes, yes, this is fine, my mother says, and stirs her coffee 
 
though she added nothing.  The children at the next
table are singing songs from a musical that no one 
remembers the name to. The croissant is light and
airy, the coffee is just deep enough, and there is nothing 
 
better than this solitude, she thinks, as she says, 
how's Klimt for distracting? to the couple who have now 
pulled their chairs closer to join her.


* * * * *

"Lillian in the City" was previously published in That Plane is not a Star (dancing girl press 5/2024)

Amy Soricelli has been published in numerous publications and anthologies including Remington Review, The Westchester Review, Deadbeats, Long Island Quarterly, Literati Magazine, The Muddy River Poetry Review, Pure Slush, Cider Press Review, Glimpse Poetry Magazine, and many others. That Plane is not a Star, 4/2024, Dancing Girl Press; Carmen has No Umbrella but Went for Cigarettes Anyway, Dancing Girl Press 9/2021; Sail Me Away, Dancing Girl Press, 10/2019. Nominations: Pushcart Prize, 2021, Best of the Net 2020, 2013. Nominated by Billy Collins for Aspen Words Emerging Writer's Fellowship/2019, Grace C. Croff Poetry Award, Herbert H Lehman College, 1975

Thursday, July 18, 2024

Unrequited Rage

by Laksmi Lucky Lumpkin


It's not mine, their toxic
screams over the phone.

But I picked it up,
his pain and hate

and carried it with me all day. 
I stewed in someone else’s anger,

welcomed it into my psyche,
then complained it was all their fault.

His hurt jumped onto my back,
and rode me all over town like a mindless fool.


* * * * *

Laksmi Lucky Lumpkin is a budding poet under the tutelage of the renowned poet Stellasue Lee. She practices interior design in her hometown of Knoxville, TN. She writes poetry weekly and has a large garden that helps ground her. Her love of writing came about seven years ago when she started a children's fiction book as advised by her daughter after telling her bedtime stories. 


Wednesday, July 17, 2024

 

Home Renovation

by
Huina Zheng

Setting out towards our old house with Sheng and Jun today, I think about a proposal from six months ago. Jun suggested renovating the two-story red brick building with a courtyard to make it more comfortable for us and to better accommodate Sheng, who has mobility issues. Honestly, I am not opposed to the idea of living together again, especially since I was the one who forgave Sheng for leaving us when Jun was just a child.

The old house, I note, is completely transformed—the courtyard now boasts artificial hills, flowing water, and a pond stocked with koi; the ground floor is primarily occupied by Sheng’s bedroom and shared spaces, while the upper floor contains bedrooms for Jun and me.

Jun, Sheng, and the designer thoroughly discussed the details of the renovation, and Jun hinted that they had prepared a surprise for me. I think maybe they have finally come to appreciate the sacrifices I’ve made and the effort I’ve put in. After Sheng left us for another woman, I raised Jun on my own. Two years ago, the hospital called Jun and told him his father had become paralyzed from the waist down and needed care. That woman disappeared. Jun, overwhelmed with his job, placed his father in a nursing home. However, due to Sheng’s frequent outbursts, Jun was forced to bring him back to our old home. After cycling through four nurses in just two months due to Sheng’s difficult behavior, I couldn’t stand by and watch my son struggle with the stress of caring for his father. So, I took over, sacrificing my freedom and my passion for dance to provide full-time care. I hope they’ve set aside a large room for me with one mirrored wall, spacious enough for dancing. I’ve even packed a dance outfit and shoes in my handbag, ready to revive my long-missed dance routines as soon as I can. It would truly be a wonderful surprise. It is, after all, my lifelong passion—I used to dance for hours a day—though I don’t remember the last time I did it.

I vow to myself: If they have transformed a room into a dance studio for me, I will stay and care for Sheng indefinitely. Even if Sheng scolds and curses every day, I will never leave him. I will remind myself that Jun hopes we could live together as a family. I will endure his tantrums, like when he throws his plate on the floor if he dislikes the food, his biting sarcastic remarks, and his domineering commands. Next year, Jun will marry his girlfriend Lan; we will live together. I will help take care of our future grandchildren, and I’ll make pumpkin cakes with them, letting them stand on stools to mash the steamed pumpkin, and after frying, Sheng will sprinkle sesame seeds on the pumpkin cakes. We will not remarry, but I will continue to care for him until the end.

We walk into the old house. The dining room is spacious, furnished with a solid black-glazed wooden table, adjacent to Sheng’s personal suite, which includes a lounge area and a card and chess entertainment space. The bathroom is designed with a lowered washbasin to accommodate Sheng’s needs. At the foot of the stairs leading to the second floor, there was a Chinese-style villa crafted for the cat. On the second floor, Jun and Lan’s room features a modern, double-height design; the lower level is a lounge area, and a few steps up leads to a spacious, separate office area. Then, I am led to my room—a simple, small space with just a bed and essential furniture. Jun points to a dance poster hanging above the bed, telling me this is the surprise they’ve prepared for me. They’ve also prepared an even bigger “surprise”—a washing and drying machine set up in the room, for my convenience in continuing the laundry.

I open my handbag, take out the dance outfit and shoes I’ve prepared, and gaze at them. Then, I realize I don’t have to keep my vow, feeling an unprecedented sense of relief.


* * * * *

Huina Zheng, a Distinction M.A. in English Studies holder, works as a college essay coach. She’s also an editor at Bewildering Stories. Her stories have been published in Baltimore Review, Variant Literature, Midway Journal, and others. Her work has received nominations twice for both the Pushcart Prize and Best of the Net. She resides in Guangzhou, China with her husband and daughter.

 

Tuesday, July 16, 2024

 

L’appel du vide

by Alexis Rhone Fancher


The romance is gone. I forget to bathe. Soon I’ll have eaten all the mangoes.
Try to think, my lover says, foot out the door, of the big picture. 

Today when I heard the garage door open my heart jumped and I thought of it,
the “big picture.” I want you not to have fucked her in our bed,” I want to say.

It’s not all bad, he answers. We have similar taste in women. This is not the first time
he’s waved romance in my face.

This pandemic, he says. It’s breakin’ my balls. His big hands cup my ass.

At midnight, I drive downtown. A straight shot on the 110 N, but for the over/underpass
near Watts where I want to swerve into oncoming traffic but, of course, there is none.

I return to remnants of moonlight and shut the blinds, but the truth persists, insidious; a germ.
The mango bowl: a hole now, nothing but air. And his voice diddling the dark. 


* * * * *

"L'Appel du Vide" was first published in the DIODE anthology, winter 2022.

Alexis Rhone Fancher is published in Best American Poetry, Rattle, Verse Daily, The American Journal of Poetry, Plume, Diode, and elsewhere. She’s authored ten poetry collections, most recently Triggered (MacQueen’s), Erotic: New & Selected (NYQ Books), and Duets, with Cynthia Atkins (Small Harbor Press). Brazen, an erotic, full-length collection, the follow up to Erotic, published in 2023, again from NYQ. A coffee table book of Alexis’ photographs of Southern California poets will be published by Moon Tide Press in 2024. She lives in the Mojave Desert with her husband, Fancher. They have an incredible view.


Monday, July 15, 2024

 

Don’t Try

by Alexis Rhone Fancher


Since my son died of cancer in 2007
I find funerals hard to attend.
Unless it’s family, I make an excuse,
although there is none, really.
I especially regret not attending Paul’s funeral in 2016,
and Molly’s last year after her long decline,
but the post-burial depression holds me captive.
After an insomniac night or two,
the kind part of me gives the selfish one a pass.
When I see Molly’s widower,
I pretend he doesn’t know I wasn’t there.
There were close to 300 mourners.
If he asks, one day, apropos of nothing,
I’ll most likely tell him I couldn’t get out of bed.
Yesterday, I drove all over Green Hills Memorial Park,
where Bukowski is buried.
Don’t Try is written on his gravestone, above a silhouette
of a pugilist, bookended by birth and death dates.
We inhabit the same zip code.
Days before Paul died, he called me, manic, rambled for an hour.
Big plans, he said. I’m moving back to Paris in the fall.
When he showed up at my party, weeks before,
people thought he was homeless, walked in off the street.
Paul played us Russian love songs on his guitar.
Here are the photos. He looks bloated. Lost.
Two weeks later he was dead.
I’ve considered Paul’s solution,
but the end is coming swiftly enough.
Tonight the dude across the street is blasting bad ‘80s rock.
It’s mid-July, and the sun stays long in the sky.

For Gerald Locklin


* * * * *

"Don't Try" was first published in Chiron Review.

Alexis Rhone Fancher is published in Best American Poetry, Rattle, Verse Daily, The American Journal of Poetry, Plume, Diode, and elsewhere. She’s authored ten poetry collections, most recently Triggered (MacQueen’s), Erotic: New & Selected (NYQ Books), and Duets, with Cynthia Atkins (Small Harbor Press). Brazen, an erotic, full-length collection, the follow up to Erotic, published in 2023, again from NYQ. A coffee table book of Alexis’ photographs of Southern California poets will be published by Moon Tide Press in 2024. She lives in the Mojave Desert with her husband, Fancher. They have an incredible view.



Sunday, July 14, 2024

 

Nonsense Rhyme
(or/ Dementia Creeps In)

by Ann Christine Tabaka


Blue sequins
On the floor
Counting pennies
Like before
Someone knocking
At the door
Seeking answers
They implore

Day one
Is now day two
I cannot
Find my shoe
What am
I to do
The sequins
Are still blue

Time passes
Lives change
Memories
Rearrange
Everything
Seems strange
Counting pennies
For change

Silly verse
Crazy rhyme
Makes sense
In time
Pennies now
Are a dime
The sequins
Are still mine


* * * * *

Author's Note: This poem is dedicated to everyone who is dealing with dementia, their own or a loved one’s.

Ann Christine Tabaka was nominated for the 2017 & 2023 Pushcart Prize in Poetry; nominated for the 2023 Dwarf Stars award of the Science Fiction and Fantasy Poetry Association; winner of Spillwords Press 2020 Publication of the Year; featured in the Who’s Who of Emerging Writers 2020 and 2021. Selected as a Judge for the Soundwaves Poetry Contest of Northern Ireland 2023. She is the author of 17 poetry books, and 1 short story book. Her most recent credits are: The Phoenix; Eclipse Lit, Carolina Muse, Sand Hills Literary Magazine, Ephemeral Literary Review, The Elevation Review, North Dakota Quarterly.

Saturday, July 13, 2024

 

The Destruction of Angels

by Leah Mueller

Barreling down the highway towards my brother’s memorial, I glanced at the dashboard thermometer. It remained stuck at 99 degrees, with two hours to go until sunset. June is the hottest month in southern Arizona. The sun threatens to immolate everything in sight. Even air conditioning becomes useless. No way to cool off except drive.

I’d only visited Josh’s memorial a few times. Twenty years had passed since he rolled his car, half a mile from the Douglas prison. Josh usually ran late for his guard job. He didn’t relish the task of babysitting convicted felons. But jobs were scarce in southern Arizona, and the hefty paycheck kept him coming back for more.

Though my brother had used part of a recent inheritance to buy a BMW, he didn’t bother to purchase new tires. One of the retreads blew out, and his vehicle flipped into a field. The impact killed him instantly.

Perhaps Josh had a death wish. Not surprising, considering our mother, Polly. I had a death wish, too, at his age, but I lasted long enough to outgrow it.

Josh lived with Polly until she died from throat cancer. His choice stemmed not from compassion, but from necessity. A classic mama’s boy, Josh’s relationship with Polly was one of mutual contempt, interwoven with toxic dependency. I often wondered whether they’d been an unhappily married couple during a series of previous lives.

When Josh died, I lived two thousand miles away, in Washington state. The prickly desert heat didn’t agree with me. A year later, my sister and her husband commissioned a local

artist to build a steel angel sculpture at his crash site. Not the corny, cherubic variety, which all of us hated. A slender, adolescent man with wings on his back, preparing to ascend into the Arizona sky.

The artist poured cement three feet into the flinty ground and set the pedestal inside. He affixed a heavy placard with Josh’s birth and death dates to the angel’s feet, plus the words “We love you” in cut-out letters. Ericka was tight with Josh, and she didn’t cut corners. She wanted the structure to last longer than her brother had.

*************

I didn’t see the memorial until 2020, eighteen years later. My husband and I fled Washington a few months after his cancer diagnosis and bought a dirt-cheap house in Bisbee. Washington spit us out like a grapefruit seed once we could no longer afford its craft cocktails.

Though I cooked elaborate meals and drove Russ to Tucson for multiple chemo treatments, he couldn’t outrun the cancer. We finally opted to discontinue treatment. During his final month, Russ reclined in our living room, tethered by gravity to a rollaway hospital bed. His frail body grew increasingly emaciated, his muscle tone evaporated, and he lost his ability to speak, eat, or control his bowels.

My husband died in the wee hours of a chilly May morning, twenty months after his diagnosis. I slipped away to catch a few hours of sleep and finally returned to his bedside. Russ lay on his back, mouth akimbo, hands folded across his chest. His expression looked bewildered yet fascinated, like he had expired while studying a bug on the ceiling.

I turned off the breathing machine and called the on-duty hospice nurse. Then I watched

the two funeral home employees strap my husband’s body to a stretcher, cover him with a red cloth (why red, I wondered) and load the entire apparatus into the back of an SUV. I marveled at their efficiency as they slammed the rear doors, climbed back into their vehicle, and drove away.

Shock is a beautiful thing. It helped me arrange for cremation and take an impromptu, four-day road trip to northern Arizona. After returning home, I dragged most of Russ’ clothing to the homeless shelter. He’d embraced minimalism with a fervor and didn’t own much of anything.

The sight of his 13th Floor Elevators and Nirvana tee-shirts filled me with rage and self-loathing. My husband, a gifted guitarist, rarely had time to practice his own art. He was too busy supporting his family with jobs he hated. Supporting ME, so I could sit on my ass and write poetry.

Russ couldn’t play guitar during his final months, after neuropathy crippled his fingers. He tried to strum instead of pick but gave up in disgust. My husband never made peace with his imminent demise. Despite his devotion to rockstar heroes, Russ didn’t espouse a live-fast-die-young lifestyle. He once said that a hundred-year lifespan was insufficient, so he wanted the cosmos to grant him an extra century.

*************      

A small drawstring bag of Russ’ ashes jiggled in the passenger seat. The remainder rested in a sturdy wooden box at home. The mortuary director had asked if I wanted to keep a portion separate from the main batch, and I’d said yes. It seemed like a nice gesture. Everyone at the funeral home was polite, but lackluster, in the stiff manner of death industry employees.

I hadn’t touched any of the ashes yet. After placing Russ’ box atop our living room bookcase, I collapsed onto the couch and sobbed. Even the little bag exuded a powerful, repellent energy.

Decades beforehand, my mother had lamented the scattering of her husband’s remains. Humans aren’t supposed to touch each other’s bones, she’d said. We were never meant to get so close.

Polly was wrong, as usual. We are supposed to touch each other’s bones. One person relinquishes their body, another remains to do clean-up. It wasn’t the first time I’d faced the latter task. Early in our relationship, Russ helped me scatter some of Josh’s ashes. I wanted to complete the circle by sprinkling a portion of my husband’s remains at the sculpture’s base.

I passed a small roadside bar. Dusty, nondescript, so diminutive that it lacked signage. Still, a landmark of sorts. My usual signal to start looking for the memorial. Double Adobe Road was tedious and flat. A motorist could easily pass the structure without noticing it.

Seconds later, the memorial popped up on the right-hand side of the highway. I pulled over and turned on my emergency flashers. With exaggerated care, I plucked Russ’ bag from the passenger seat. Then I emerged from the car and trudged through the prickly weeds.

Something was wrong, however. The statue leaned leftward at a jagged angle. Usually, it pointed towards the sky. Had someone tampered with Josh’s memorial? Anything was possible in rural Arizona. The locals had a lot of time on their hands.

A closer look confirmed my suspicions. The statue’s base had detached from the ground. Its exposed concrete foundation revealed numerous cracks. How could a person crack cement? Obviously, the perpetrator hadn’t used his body to wreck the monument. Someone must have hit it with a vehicle.

A moment later, I noticed a set of tire tracks. They began at the highway’s edge and created a jagged trail that ended at the base of the memorial. A hapless motorist had rammed into the statue with great force, enough to uproot and destroy cement that had remained underground for nearly twenty years.

The driver must have sustained serious injuries, at the very least. Maybe worse. Most likely, the poor asshole was blind drunk and driving well above the speed limit.

The whole setup seemed inexplicable. No engine parts on the ground, no spilled oil, no remnants of destruction. Had someone hit the memorial on purpose? A large truck could have uprooted the statue and emerged relatively unscathed. Still, pickups cost a lot of money. Even a little bit of damage would be expensive to repair. It wouldn’t be worth the trouble.

On the other hand, Josh oversaw a lot of prisoners. Perhaps one of them had emerged from the slammer after twenty-plus years and decided to destroy the monument. Word of Josh’s death must have traveled through the prison. Many of the guards had attended his funeral.

I studied the bag of Russ’ ashes. No way in hell could I scatter them now. Josh’s memorial had always been a tranquil spot, a somber place of remembrance. In the distance, the prison complex hovered like a huge, malevolent gargoyle. Ever vigilant, ready to snatch up lawbreakers at a second’s notice.

The prison must have been sleeping on its job. I traced the angel’s body with my forefinger and gazed at the wreckage. Would anyone be able to fix Josh’s monument? Such a task would require a dedicated team of strong individuals.

The merciless desert sun beat down on my head and shoulders. Its harsh light made me dizzy. I backed away from the memorial, returned to my car, and placed Russ’ ashes on the passenger seat.

After I fired up the engine, I noticed that the dashboard thermometer read 98 degrees. The digital clock said it was 6:30. The sun would set in less than an hour. No wonder people got drunk and slammed into things.

I did a U-turn and headed towards home. A minute later, I spotted the tavern and had an inspiration. Perhaps one of the locals would know what had happened to the memorial. It wouldn’t hurt to ask. At least, not very much.

I pulled into the enormous gravel parking lot. Obviously, the proprietors had big aspirations. You never know when hundreds of people might want to drink beer in the shade of a medium-security prison. Today, however, the lot was almost empty.

After I killed the engine, I glanced down at the bag of Russ’ ashes. I didn’t want to leave them in the seat. It felt like my husband was alive and I expected him to wait for me inside an overheated vehicle while I grabbed a quick beer.

On the other hand, I could hardly carry a sack of Russ’ remains into a roadside bar. I locked the car and strolled towards the door. Four people sat at a picnic bench in front, surrounded by half-full beer bottles and cigarette packages. They regarded me with detached curiosity.

I opted for the direct approach, my usual modus operandi. “Can I ask you folks a question? Are you familiar with that memorial a half mile up the road? The metal angel?”

One of the men spoke first. “Yeah. I don’t know who it belongs to, though.”

“It’s my brother’s,” I replied. “He died twenty years ago on this day. I wanted to pay my respects, but someone destroyed it.”

The group shifted uncomfortably in their seats. “I’m sorry for your loss,” a woman said.

“Thanks. You don’t even know half of it.” I tried my hardest to smile. “You think the bartender might have some info?”

“Oh yeah,” the man said, clearly relieved to be let off the hook. “Go right inside. Bartender knows everything that goes on around here.”

Somebody had propped the door open to allow for ventilation. The joint was too flimsy and ancient for air conditioning. I wandered inside and took a seat at the bar. A middle-aged man hovered on a stool at the far end. A couple sat in the middle, gazing at the overhead television.

The bartender came over. I’d expected a wizened local, someone familiar with the area’s darkest secrets. Instead, the woman was around thirty, Hispanic, and cheerful. “What can I get you?”

I checked out the row of bottles above the bar. Cheap American brews. Corona was the best they had to offer. Not surprising. I ordered one, and the bartender fished a bottle from the refrigerator. She took my money and smiled. “What brings you to these parts?”

“Well, I’m hoping you can help me. You know that memorial half a mile up the road? The metal angel? My brother flipped his car at that spot, twenty years ago. I just went over there and noticed that someone totaled his statue with a vehicle. Uprooted it from the ground and everything.”

The bartender gasped. “Sure, I know the spot. But I haven’t heard anything about an accident. That’s terrible.”

I nodded. “They slammed right into it. Hit it so hard the foundation cracked. I’m sure the impact damaged the car. Probably the driver, too. They must have been injured, at least. Maybe even worse.”

The bartender shook her head. “Weird that I haven’t heard anything. I’ve driven past that memorial for years.”

“Weird that they had an accident in the same spot as my brother, and nobody even knows about it.” I took a gulp from my bottle. “Kind of like the Twilight Zone, huh?”

“I was just going to say that.” The bartender turned her attention to a tiny window behind the bar. A cluster of moths was beating against the pane, trying its hardest to escape. They attacked the glass with military precision, retreated momentarily, then resumed their onslaught.

“Goddamn moths.” The bartender swung her rag in their direction. “They’re especially bad this year. All over my house. Then I come here and they’re at the bar. I hope monsoon season comes quick.”

The moths possessed a will to live that humans could only admire. Their freakish survival skills and penchant for self-immolation existed in perfect balance. The dry, hot weather had created an infestation of these pests, with more on the way.

I sipped my beer and allowed my brain to wander. Russ had only been gone for six weeks. After a month of weeping, my emotions had retrograded to a default state of shock. The paralysis had settled into my deepest tissues. It compressed my chest and shoulders like the weighted blankets a friend sent when Russ first entered hospice. 2021 brought a bumper crop of blanket gifts. Folks love to give warm covers to sick people.

The man at the end of the bar turned towards me. “Did your brother work for the DOC?”

“DOC? What’s that?”

“Department of Corrections.” The guy leaned forward and placed his elbows on the bar. “Lots of DOC employees die on the road to work. Or they retire, but they find themselves back on this highway. Like the gal who got hit by a car last year on her bicycle, a mile from here. She had just retired from the DOC. Guy that killed her worked for the DOC, too. I wouldn’t be surprised if whoever hit your brother’s memorial turned out to be a prison employee.”

I’d seen the bicycle memorial, perched in the weeds beside the road. Russ and I had passed it twice, on our trips to Josh’s statue. We never bothered to find out the story behind the wreck. Too much drama in our own lives. Such a terrible way to die, though, while having fun on a spring afternoon.

I studied the man’s face. Could he be lying? Did he know more than he was telling? It was impossible to gauge. The bar inhabitants were a tight-knit group, and perhaps they had taken an unofficial vow of secrecy.

His expression looked open, ingenuous. Obviously, prison employees were clumsy behind the wheel, and their luck was bad. The destruction of Josh’s memorial would forever remain a mystery, at least to me.

I took a final swig of beer and set my bottle on the counter. “I’d better go. I want to get home while it’s still light. Thanks for your help.”

I passed the outdoor group and said goodbye. An unopened pack of discount cigarettes lay on the far end of the picnic table. Why were these people still alive? They were trying their hardest to kill themselves. My husband hadn’t even made it to sixty. He’d come up short on the genetic roulette wheel and was predisposed to colon cancer on both sides of his family.

No cosmic reason for any of it. A nonstop series of random, freak accidents. Hapless folks get mowed down by drunk drivers. Or they ride their bikes on a two-lane highway, and a driver checks his texts or spills his coffee. Or they have blood in their shit but no health insurance. All of us arrive at the same destination. Some people get there faster than others.

Russ ashes waited patiently in the passenger seat. I checked the rear and sideview mirrors and pulled into traffic. Half an hour remained before sunset. I could make it home by dark, prepare dinner, and fall asleep in my king-sized bed. In the morning, I’d do my best to figure out how to live the rest of my life alone.

* * * * *

"The Destruction of Angels" was previously published by the Spotlong Review.

Leah Mueller's work appears in Rattle, NonBinary Review, Brilliant Flash Fiction, Citron Review, The Spectacle, New Flash Fiction Review, Atticus Review, Your Impossible Voice, etc. She has been nominated for Pushcart and Best of the Net. Leah appears in the 2022 edition of Best Small Fictions and was nominated for the 2024 edition. Her two newest books are The Failure of Photography (Garden Party Press, 2023) and Widow's Fire (Alien Buddha Press, 2023). Website: http://www.leahmueller.org.

Friday, July 12, 2024

 

IN MY DREAMS I HEAR THE MATINS

by Lorraine Caputo

 
It rings once
            whispering
            in this predawn
            darkness
 
            not wanting
            to awaken
            anyone –
 
            only those
            for whom
            it is tolling
 
 
One clang …
            muffled by
            the night’s
            stillness …
 
Another clang …
            & now only
            the dark
            silence


* * * * *

Lorraine Caputo is a documentary poet, translator and travel writer. Her works appear in over 400 journals on six continents; and 24 collections of poetry – including In the Jaguar Valley (dancing girl press, 2023) and Santa Marta Ayres (Origami Poems Project, 2024). She also authors travel narratives, articles and guidebooks. Her writing has been honored by the Parliamentary Poet Laureate of Canada (2011) and nominated for the Best of the Net and Pushcart Prize. Caputo has done literary readings from Alaska to the Patagonia. She journeys through Latin America, listening to the voices of the pueblos and Earth.

Thursday, July 11, 2024

 

SEEKING

by Lorraine Caputo

 
Waiting in long lines,
passing barefoot pilgrims
on the road …
I finally arrived here,
missing the low tide.
 
The high is quickly coming in.
I cling to leggings
as it foams around
the sea-worn wood,
the water rising, rising
above my knees,
before it ebbs away.
 
& finally to
the wider strand
where gulls & whimbrels,
cormorants rest,
waiting for the sea’s fruit
to wash ashore,
the sea’s rhythmic roar
as it rises
then breaks
silently, then creeping
up the glittering sand
& flowing back out,
rising, crashing
creeping & flowing
rising … crashing …
 
For kilometers I stroll
my prints disappearing
beneath that tide
 
I rest on a flotsam log,
listening to the sea,
watching pelicans fly low
across the pale-teal waters,
the wind rustling these leaves
on which I write this poem.
 
 
* * * * *

Lorraine Caputo is a documentary poet, translator and travel writer. Her works appear in over 400 journals on six continents; and 24 collections of poetry – including In the Jaguar Valley (dancing girl press, 2023) and Santa Marta Ayres (Origami Poems Project, 2024). She also authors travel narratives, articles and guidebooks. Her writing has been honored by the Parliamentary Poet Laureate of Canada (2011) and nominated for the Best of the Net and Pushcart Prize. Caputo has done literary readings from Alaska to the Patagonia. She journeys through Latin America, listening to the voices of the pueblos and Earth
 




Wednesday, July 10, 2024

Recovering, Discovering, My Mother’s Voice

by Joan Leotta

 
My red Royal with its hard-to-press keys
was Mom’s graduation gift circa 1930.
She ceded it to me,
when I confided my desire to
become a writer.
 
Daily, (for some weeks),
I practiced pushing those keys
with two fingers, willing words
to spill out as easily as they
did for my mother.
Though technically I now
owned it, my mother was
still the Royal’s Queen, the
machine having long ago forgiven
the spill of fingernail polish
that still mar its cherry red glow.
 
On my graduation day
she gifted me an Olympia,
sleek , smooth, light—
plastic, not metal—easier
to press. My own finger
efforts quickly progressed to ten.
I packed away her Royal and
rarely thought about it
until, years after Mom
passed on, I set it up as a
decorative piece in my office.
A few years ago, I found
Mom’s high school yearbook
Where she revealed that  
she too, had wanted to be a writer.
 
We are moving again so
Yesterday I returned
Royal to its carrying case.
I looked at the ribbon. Pulled it out.
I’d pressed only a few words onto it
over the years, so most of what remains
on that inked cloth belongs to Mom.
Carefully I lifted out the red and black
spool. Time had eroded it, almost
erased the letters her fingers had
stamped onto it.
 
I held the ribbon high and
unwound it a bit, fancied
I could hear the letters marching
off the fabric, forming into words,
sentences, stories—soft, not distinct,
but yes, my mother’s voice.


* * * * *

Joan Leotta plays with words on page and stage. She writes and performs tales of food, family, strong women and has a one woman show as Louisa May Alcott. Internationally published as an essayist, poet, short story writer, and novelist, she’s a two-time Pushcart and Best of the Net nominee and was a 2022 runner-up in Robert Frost Competition. Her two chapbooks are Languid Lusciousness with Lemon and Feathers on Stone. 

Tuesday, July 9, 2024

 

The Fable of Katy Wilson

by Annthea Whittaker


Her name was Katy Wilson. She was our new childcare worker at home on Jasper Avenue. In my early years, I would meet three Katys in quick succession. Each one played a vital role in my young life. On March 9, 1978, I met Katie number one who was a squishy little face poking out of a pink bundle at the Edmonton Hospital nursery. My mother still shows me the photo of me seeing my little sister’s face for the first time. I was so happy.

Then I went to school for kindergarten and met Kate number two, a real live ballerina. She was in the professional program at the Alberta Ballet School and she had blond hair and blue eyes just like my sister. Kate number two had two sisters. I had two brothers. We met at Grandin Elementary School where I brought my baby sister Katie for show and tell. I introduced baby Katie to ballerina Kate.

Ballerina Kate and I became best friends. We sat beside each other, had recess together and traded erasers and stickers. Then a few months into kindergarten, I met Katy number three, Katy Wilson. Katy Wilson was 15 years old when she first started to watch over the four of us. She came to see us on Jasper Avenue about twice a month when my parents went out.

My parents would dress in evening clothes and my Mom would curl her hair and put on lipstick and eyeshadow. Before they left, I made sure I took a picture with my new Polaroid. My mom said she hated having her picture taken. She never smiled for the camera. Mom said to me, “You know in some parts of the world, people believe a bit of your soul is taken by the camera.” When she said that and left, I almost dropped the camera. I went to find Katy. “Is that true, Katy?” I asked her. “Am I stealing my Mom’s soul?” Katy looked at me and ruffled my hair.

“Not sure, Allie. Shall I take your picture and you can tell me if you feel your soul disappearing. Are you more frail and fragile now with a bit of stolen soul? Or did you make a deal with the devil to sell your soul down in Georgia?”

“No. But what exactly is a soul?” The boys started yelling, so Katy left me with no actual answer. The reason I loved Katy so much is she never told me I asked too many questions. I had a lot of questions about a lot of things. The boys stopped yelling and fighting, and Katy came back to see me with a plate of cookies. “Allie, I thought about your question. Nobody knows exactly what a soul is or even if souls are real. But I know when I am sad, there's a tightness and a terrible pain here in my chest.” I looked over to her. I believed everything she ever said. I always would.

From the age of five till the age of eight my daily routine was predictable. I went to school every weekday. I loved school almost as much as I loved Katy Wilson. My teacher for Grade two was Madame MacLaren who taught us Canadian geography. Her method was Canadian Football League team colors to teach us the capital cities for each province and territory of Canada. Then in Grade three, my teacher was Madame DesLauriers. She had long brown hair and wore jacket and skirt sets with polished shoes. I was a good student because I loved to read, and every day I did all my homework.

The last Friday before vacation was report card day. I always got good marks, but it didn’t make me all that strong. In front of everyone, Madame DesLauriers said, “Allie, did you see your report card? Straight A’s in all the academics. Straight E’s all excellence for Effort, except in Courtesy. An S- Satisfactory in a very important part. Do you know what this means?”

“No.” I said. My voice was shaky. I was always a good student. Not the best. But second best after David Stockburger.

“Courtesy is how polite you are. You, Allie, are very rude. You talk back.”

I didn’t say anything. I was mortified. I was headed home and Mom would not miss the S on my report card. I tried not to cry in front of Madame DesLauriers. She waved my Report Card in front of me. “Will you do better after Christmas? Will you stop with all your questions?” I could only nod my head. I was starting to get dizzy and I was hoping that my reality was such that what was happening wasn’t true. Madame Des Lauriers was telling me I was rude? Mom was going to have a fit. Probably no dessert for me tonight. Probably even a spanking. When I got home, I couldn’t believe my luck. Mom wasn’t home and Katy Wilson opened the door. “Why are you looking so blue, little one?” She asked. She was so nice, I burst into tears, and showed her my Report Card.

“Wow, this is great. All A’s and E’s for Effort. Are you crying tears of happiness.” That made me laugh and I started to feel better. “No. Madame DesLauriers said I talk back and I am rude and she gave me an S, see for Courtoisie.”

“You mean Courtesy. Oh my goodness Allie. You are the most polite kid I know. I'll tell you what. Let’s get your mind off your Report Card and everything can be solved by this secret I am going to teach you.” “You are going to teach me a secret? Not tell me?”

“That’s right. Now get inside. Don’t lose your mittens else your Mom really will get mad. I am going to teach you something, so your Mom won’t even notice the Courtesy thing, ok? You can show her this...”

I was hard to convince, but Katy Wilson was always right. I got ready quickly but Katy was already in the living room calling me to hurry up.

“Hey you silky bag of bones. Don’t take all day. Your Mom will be home in two hours. We can’t let her know you have been Rudy.” Katy Wilson was making fun of me.

“The surprise for you today is I am going to teach you how to knit. What do you think about that? And whenever you knit, I want you to know I am sitting right beside you.”

“Knitting? That is awesome socks.”

“Yes, it is.”

“Laura knits on Little House on the Prairie. And Jo knits in Little Women. Every cool heroine knits. Can I make a scarf?”

I wasn’t very good at anything using my hands. I had tried to learn the piano but I broke two fingers during basketball practice, so that hi-jacked piano lessons. But I was listening to Katy. She taught me how to loop the yarn around the steady fat knitting needle, and then stick the prickly part into the loop around the yarn, round it around, then the top needle and then cross it and pull it through. This was casting on and we started with ten stitches. I was awkward at first, but Katy was patient.

“I know you can do this, Allie. It just takes a little practice. Don’t worry about school right now. Just try to sit still and knit. And when your Mom gets home, don’t talk about your Report Card. She is going to be so impressed with your knitting.”

Katy had the answer. So often, she made everything better. The next year, I was nine years old. Katy Wilson took me to get my ears pierced at the earrings store. She told me in the Philippines, infants had their ears pierced right when they were born. Bright coloured jewels were applied to baby girls’ ears in the first few minutes of life.

“Is that to decorate their souls?” I asked her. She laughed. “I am not quite sure about soul decoration but it is a custom. So why did you wait till you were nine to get yours pierced?” she asked.

“Mom wouldn’t let me,” I had been feeling all grown up with the studded gold heart earrings that had a price tag so high it would have taken me 30 allowances and chore lists before I could have paid for them.

“You’re just a fragile little kid, aren’t you, a baby goat.” She ruffled my hair.

No one quite understood why I was in a rush to grow up. It’s because I wanted to be as cool as Katy Wilson. She drove a purple Toyota Camry over to our house often. Sometimes she even showed up out of the blue. “I’m here to see how your knitting is going, Allie. Your Mom didn’t call me, I was just in the neighborhood.” I was making progress on my knitting every day. And I felt proud as punch when she ruffled my hair and told me my stitches were even.

Katy Wilson was my childcare worker for four years. All was perfect in my world where I now had almost my own big sister who brushed my hair, always made sure I could find my mittens and didn’t rush me as I struggled to put on my boots. Even though Katy didn’t treat me like I was a dumb little kid, Mom sure did. And I was a kid who often fell over or stubbed her toe. I was tall for my age, but still small and it meant I couldn’t reach the chocolate Mom stashed in the top cupboard. And adults didn’t take my opinion or position seriously. For example, I did not want to go to the Rabbit Ski hill with school. And when I got lessons at the ski hill I still did not feel sure of myself and when I crashed, I knew my leg was broken. But when you are a kid, these days they call it asserting boundaries, in my day they called it talking back, well when you are a kid, all the adults around you know better. Except they don’t. I knew I was fragile. I knew my bones were old. My parents just figured if they could dose me with enough calcium through dairy products and children’s chew-able Vitamins, then my bones would get stronger. The truth was I was getting stronger, but the spirit ghosts that lived in me, were in a great rush. Always. All the time. Patience, while it may be a virtue, is one that as I practice it, I feel my dual ghosts of impatience and screaming, fighting for an exit from my body. Instead I knit, when I really wanted to scream.

I had read about Hinduism and I believed my bones were brittle from having returned to an earthly body so many times. I understood reincarnation but didn’t discuss it with people around me, who were mostly Catholics. Instead we talked about the Saints. St. Peter at the Pearly Gates was a popular one. St. Christopher the patron saint of Travelers was one my mother often spoke of. She told me she hoped I would love to travel. She held onto me and let go, often.

Two days after getting my ears pierced, I had a raging infection. Red scabs had formed under the gold studs and my Mom yelled at me for picking at my ears. “It hurts,” I told her. “Go and sit at the table and finish your breakfast. I told you you were too young to get your ears pierced. Your body is not ready. Your ears are rejecting the gold.”

I knew it was all my fault. I picked up my knitting but I dropped a stitch and felt bad, because I needed Katy to help fix it. “Is Katy taking care of us tonight?”

“No!” my mother yelled.

I flinched at her scream and I went to the kitchen table. The kitchen was the room I hated the most in our house. Dad wasn’t home and I wondered why since it was a Saturday, so I pretended to be him, and I sat in his chair. To the right of the table was a magazine stand and I picked up the Weekend edition of the Edmonton Sun. I usually just read the comic strips, but this time I read the caption of the picture on the front page. Ms. Katy Wilson, 19 years old plunged to her death Friday night from her residence. The picture was of an apartment building that looked familiar to me and a black tarp covering something on the concrete.

“Mom, what happened? Is this Katy?” I pointed to the picture. Mom had already read the news and was trying to figure out a way to tell us. Mom started with “Katy Wilson comes from a good family. She is a good person. But someone gave her PCP, they called it Angel Dust. So she went to her balcony and she was seen balancing on the rail, but Angel Dust is a chemical. It’s a very bad drug. She didn’t realize what she was doing was dangerous, so she fell 19 stories. But she did not suffer. She died.”

I knew from church teachings, the worst sin you could commit was to kill yourself. I was so worried that Katy, my favorite person, was now in Purgatory.

“You mean, Mom, Katy is now a ghost? Because she would never leave me. I’m not finished with the scarf, my knitting. knit one, pearl two, cast on, cast off. Where is her soul?”

Mom just shook her head. I couldn’t believe it. Suddenly I felt angry. I grabbed the newspaper and I ran away from my Mom. I didn’t bother to put on a jacket.

People were at the bus stop. One woman was wearing a purple jacket. “Hello” I asked her if she knew the directions to the building on the front page. The woman was a stranger, so she looked away. I turned and asked someone else. “Do you know Katy Wilson? Do you know this building?” Now I was pointing to the newspaper. No one answered me.

I started to scream my loudest, “Where’s Katy? Where’s Katy?” But no one answered. People started to stare. I remember running. I don’t remember there being any cars or buses, but I think there must have been. At some point, I fell. My father’s strong arms picked me up. Next thing I knew I was in a room and I heard the door lock. Was it my room or someone else’s? I wasn’t sure, but I was alone. No Katy Wilson to take care of me or make fun of me. No Katy Wilson to make me feel better. And I didn’t even have my knitting.


* * * *

Annthea Whittaker is a writer and performance artist living on Vancouver Island, Canada. Her previous work has been published in Toronto’s Fuse Magazine, The Windsor Review, Fireweed, a feminist quarterly and she wrote and delivered the 3 minute speech, “Women on Wheels: the rolling feminist library” on CBC radio. She is currently working on a book of short stories with the working title, “Friendship: a collection of love stories.”